Monday, November 21, 2016

Here's what I plan on reading and watching this week (11/21 - 11/27)

I ended up watching six films and reading five books last week.  I’m going to gradually slow down on the reading for the rest of the year (I’m already past what I read last year), but I’m going to keep up the movie watching so that I don’t have to scramble in January/February.

Here’s what I did last week:

Books

Egghead by Bo Burnham:  C+.  I’ve been a fan of Bo’s comedy since I discovered his YouTube channel in 2008.  Sure, there are plenty of times where I’m shaking my head at his jokes—he enjoys provoking people with offensive humor—but I generally find him clever.  The poetry in Egghead is more of the fratboy variety, but at times Bo still proves to be a wordsmith. 

Fantastic Beasts and Where to Find Them by J.K. Rowling (writing as “Newt Scamander”):  C+.  There really isn’t much to this guidebook, outside of the notations by Harry, Ron and Hermione.  It’s actually pretty dry in general—which makes it a little harder to get through.  You definitely don’t need to read this before seeing the movie (more on that later).

Point Your Face at This:  Drawings by Demetri Martin:  C+.  You can copy and paste what I said about Bo Burnham’s book, although I think I discovered Demetri in 2006 or 2007 while perusing Comedy Central.

Fences by August Wilson:  A-.  I really enjoyed this play and how the characters developed throughout.  The banter between husband and wife, and later husband and son, is on point and conveys topics of faith, coming of age, race relations, and the patriarchy better than most novels do.  The character of Troy is one I won’t soon forget.

101 Things to Definitely Not Do If You Want to Get a Chick by Will Forte:  D.  This is the fourth time I perused a bookstore before a movie and saw this staring at me, so I took a half hour out of my day to read this comic.  While I’m a fan of Will Forte’s, I don’t think I ever cracked a smile while reading this.

Movies

20th Century WomenB+.  The ensemble is divine, as they all work well as a cohesive unit, while all having their individual moments:  Bening is touching; Gerwig takes the traditional Manic Pixie Dream Girl character and gives it genuine pathos; Elle Fanning continues to prove that she’s the most talented Fanning; newcomer Lucas Jade Zumann has the presence of a veteran. I was pleasantly surprised at how well Annette Bening's performance is sitting in my mind after nearly a week: she plays up the warmth of the character without her typical loudness—which is great for us, but I think an Oscar win for her work is entirely out of the question. I liken the movie’s humor to The Royal Tenenbaums having a monogamous relationship with Almost Famous, but straying one night to sleep with Beginners.  I can’t wait to see this again.

La La LandA-.  First thing’s first:  this film is gorgeous!  The production design is top notch; the costume design (mostly on Emma Stone’s character) isn’t too brash and works well in context; the choreography is perfect.  I went with a friend who wasn’t a fan of the tonal shifts and with Emma Stone’s singing, but I disagree on both criticisms:  the tonal shifts after the first 20-30 minutes fit with the changing of seasons, and Stone’s singing is appropriate given her character.  Admittedly, this is another case of a character acting as a crutch since the actor playing the part isn’t a classically trained singer (see also: Renee Zellweger in Chicago, or Natalie Portman in Black Swan for a non-musical example).  Honestly, I’m impressed by both Stone and Gosling and how the marquee actors were able to lose themselves in the demanding roles.  Sure, there may be a few qualms with the screenplay—and ultimately Damien Chazelle writes himself in a corner and can only end the film the way he did—but I thought the songs were pleasant, it was well acted, and it was expertly designed.  I can’t wait to see this again.

Fantastic Beasts and Where to Find ThemC.  Ever since I read the Harry Potter books, it became clear to me that the books were at a high level and the movies were significantly lower, in my estimation.  Still, I went into this film excited because J.K. Rowling was the screenwriter.  The technical aspects are well done, and I liked some of the characters (Tina is no Hermione but as the smart sidekick she’ll do in a pinch; Jacob Kowalski’s character arc is adorable).  Other than that, the film was a chore to get through.  I’m hoping Rowling and company changes the formula a little if four more films in this universe are forthcoming.

IndignationB.  It starts off like your typical coming-of-age film, but ends up as a punch in a gut.  Even as the film got progressively darker, I didn’t think it was going to conclude on such a bleak note that seems to suggest that conformity is probably a safer route. 

LovingB-.  I’m wishy-washy on the film as a whole:  it’s a bit too dry and procedural, however I appreciated the attempt to keep the focus on the couple in quiet moments instead of focusing on loud courtroom scenes; Joel Edgerton will have plenty of fans because of his performance, but I found him too stoic and was left wanting more; Ruth Negga was quietly devastating. 

Billy Lynn’s Long Halftime WalkC.  I didn’t hate this movie.  I walked in with the lowest expectations that I have in a long time, so maybe that helped.  I enjoyed the moral dilemma and the social commentary on the expectations people have towards those in the military.  Among the large cast, Kristen Stewart probably works the best, even though her role is brief.  Still, at times the way the scenes are written and edited are misguided at best—and the film builds up to the titular halftime show, which is easily the worst scene of the film.  I’m curious to read the book and see how well it works in comparison.

And here’s what I plan on reading and watching this week.

Books

The Sun is Also a Star by Nicola Yoon:  I was a fan of Everything Everything, and if I recall correctly from her interview at Bookcon, the narrative of this book takes place throughout the course of a day.  This condense plot intrigues me even more!

Are You My Mother? by Alison Bechdel:  For real this time.

Triangles by Ellen Hopkins:  I was encouraged to given Ellen Hopkins another try (I hated Crank), so I thought I’d try one of her adult books. 

Movies

Hell or High Water:  I missed it in theaters; luckily it comes out on video tomorrow.

O.J.: Made in America:  I have a break from work later on this week, otherwise I don’t think I’d have the energy to tackle this seven-hour documentary. 

Rules Don’t Apply:  I’ve always found Howard Hughes an interesting figure in history, so I’m game. 

Moana:  Of course.


I may try to see others.  The indie theaters in St. Louis haven’t updated their schedules for the Thanksgiving weekend yet, so I’m not sure what’s available.

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