Monday, January 30, 2017

Here's What I Plan to Read and Watch This Week (1/30 - 2/5)



Signs that you are in a reading slump:

  • It used to take you a day and a half to finish a 300-page book, although currently you are only a third of the way done after nearly a week.
  • When given the option to read or watch repeats of Cupcake Wars, you choose the latter.

  • You realize that you haven’t frequented your local bookstore in a month.


It’s no fun to start a book and lack the focus and concentration to finish it, regardless of the book’s quality.  It’s doubly bad when it’s a library book, and you can’t renew it because the book just came out last month.

All of this is to say that this week I read a 30 page children’s book, and then listened to an hour-long audiobook.  I got 100 pages into a book, though, so that’s something…right?

Here’s what I read and watched last week.

Books

The Curious Case of Benjamin Button by F. Scott Fitzgerald:  B.  Yes, that three hour Brad Pitt movie from 2008 was originally a short story written by the author of The Great Gatsby.  I stumbled on this after a co-worker went on an impassioned rant about how wordy and generally boring Fitzgerald is, and not just with The Great Gatsby, a book that I had to read twice in high school and three times in college (because apparently Fitzgerald was the only author who came up with symbolism).  After this conversation, I realized that I *gasp* hadn’t read anything from Fitzgerald besides his most famous novel, and remedied it by reading this short story.  I get what my co-worker is saying about the author’s wordiness, but I didn’t have a problem with it.  Moreover, I liked that the author pulled no punches, as the narrative got increasingly bleaker as the story progressed.  Honestly, I’m not sure why Fitzgerald didn’t make this into a full-length novel; the material is certainly there, and as a short story it jumps around too much because it has a literal lifetime to cover.

Charlie the Choo-Choo by Stephen King (written under the pseudonym “Beryl Evans”):  C+.  Ever wonder how a children’s book written by the king of horror would be like?  Honestly, I did not—especially with a title like Charlie the Choo-Choo.  I suppose this will be a dubious entry in the writer’s bibliography.  Taking away the author’s name for a minute, it’s a short story with good (albeit unintentionally creepy) animations and a traditional ending which contains dark undertones if you know even the slightest of the author, but appears harmless to those uninitiated.  Would I pay $14.99 for a 30-page children’s book?  Probably not—but then again, I also wouldn’t pay the $24.99 for Stephen King’s poem The Dark Man.

Movies

Under the Shadow: A-. I made the mistake of watching this foreign horror film at 9 pm one night in my room, thinking that a film set during the war couldn’t be scary in a supernatural way.  This gripping thriller genuinely gets under your skin. You dread the long shots because you just know that something is out of place, but you're not sure if it's going to lead to a jump scare.

Closet Monster: B-. Strong acting propels this small LGBT movie past run-of-the-mill status. It's rare that I get mad at a movie for being too short. This needed about 15-20 more minutes to flesh out the characters to make me care for their resolutions. I suppose there is magical realism throughout, but that climax is a little kooky.

Pariah: A. Sometimes a critically acclaimed movie will fall off my radar, and I’ll catch up a few years later.  Pariah came out in 2011, so I’m a little behind—even by my standards.  This LGBT drama ticks all of the boxes you’d find in a film featuring a young adult lead:  self-discovery and acceptance; drama within a religious family; the beginnings of a romance.  Yet, Pariah takes these tropes and blazes its own path.  It’s one of the best films of the decade.

Here’s what I’m hoping to read and watch this week.

Books

I don’t know.  Didn’t you read the part at the beginning where I said I’m in a reading slump?  I hope to finish Our Chemical Hearts and/or Love and First Sight.  I might listen to an audiobook (there are a couple non-fiction books that caught my interest).  Who knows?

Movies

I’m in the position where I’ve seen all of the Oscar nominated films in my area, and I’m just waiting for some of the small independent documentaries/foreign films to come in my area over the next month.  Here’s hoping I get a couple good ones this week!

Thursday, January 26, 2017

Thoughts on the 89th Academy Award nominations



When it comes to me, Oscar nomination day is the equivalent to my Christmas morning.  For the past seven years, I have made every attempt to watch the announcement live.  On the west coast, they announce the nominations at 5:30 in the morning.  Luckily for me, I live in the Midwest—so the announcement is at a more reasonable 7:30 in the morning.  I just realized that I used “luckily” and “I live in the Midwest” in the same sentence.  Don’t worry, it’ll never happen again.

After sitting on the nominations for two days, what is my reaction?  In short:  I’m on board with the vast majority of these nominations.  I only have a couple negatives compared to the positives.

Positive: an African American cast leads three of the nine Best Picture nominees.  This is significant, since the past two years have been #Oscarsowhite, and the representation for POC has been lacking.  Speaking of representation…

Positive:  seven of the 20 acting nominees are POC, which is a record:  Denzel Washington, Ruth Negga, Mahershala Ali, Dev Patel, Viola Davis, Naomie Harris, and Octavia Spencer.  Additionally, there is representation in all four acting categories, and in Best Supporting Actress there are three African American nominees!  This doesn’t mean we should rest on the representation this year and not continue to fight for future years, but it’s a good start.

Negative:  Hacksaw Ridge was nominated for six Oscars, including Best Picture and Best Director for Mel Gibson.  I’ve never been that big of a Mel Gibson fan, but Hacksaw Ridge’s awards success baffles me.  When I saw the film in October, it felt like a middling at best action movie with a rare bad performance from Andrew Garfield (who was also nominated).  I get that the film would play better for conservative audiences, but even still, I would think there are better movies.  Whatever.  I just don’t get it.

Positive/Negative:  This year was sinfully easy to prognosticate.  Michael Shannon in Nocturnal Animals and Ruth Negga in Loving were the only surprises amongst the acting nominees, and the other nominees had hit the typical precursors:  Golden Globe, SAG, BAFTA.  The only snubs to speak of were Amy Adams in Arrival (which hurts, because it’s one of her best performances) and Hugh Grant in Florence Foster Jenkins (which I don’t mind, because Meryl Streep was the only standout in that film).  It’s nice that so many worthy nominees were able to maintain their precursors and get nominated for an Oscar, but one of the more exciting things about the Oscar nominations is predicting all of the surprises…which this year sorely lacked.

Positive:  Like me, plenty of people will see a movie if it is nominated for an Academy Award.  This year it felt like the Academy went out of their way to nominate a large amount of films, even if they only received one nomination.  Captain Fantastic, Loving, 20th Century Women, Elle, Nocturnal Animals, and The Lobster all received a single nomination in one of the “big” categories, an acting or screenplay award.  Below the line, Hail, Caesar!, The Jungle Book, 13 Hours:  The Secret Soldiers of Benghazi, and Jim:  The James Foley Story all received single technical nominations.  It’s always nice when the Academy decides to share the wealth, even though we all know how this is going to end.  Speaking of…

Negative:  I love La La Land as much as the next guy, but 14 nominations (tying the record for the most nominations, along with 1997’s Titanic and 1950’s All About Eve) feels excessive.  I was talking to a couple friends on a movie forum I frequent, and it’s looking like the popular musical is snowballing to sweeper status, and it’s possible the film could win up to 11 of its categories.  I’m okay with it winning Best Picture (Moonlight is much better, but I made peace with it being an also-ran), Director, Actress, Original Score, Original Song (sorry, Lin-Manuel Miranda), and some other technical awards, but when we start lumping in Best Original Screenplay, Cinematography, and possibly Best Actor, I get into a “bitch, please” mode. 

Positive:  Not to end this on a negative note, Moonlight is one of the best films of the decade so far—so that it was nominated for Best Picture and seven other Oscars is easily my highlight of the awards season.


Monday, January 23, 2017

Final Oscar nomination predictions

Ahhhhhhhhhhhhhhhhhhhh, the Oscar nominations are tomorrow!  Even though this year is destined to be dominated by La La Land, I'm still curious to see what else will be nominated. 

Here is what I'm predicting in all 24 categories. 



Best Picture

Arrival
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight

Best Director

Denis Villeneuve, Arrival
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester by the Sea
Barry Jenkins, Moonlight
Martin Scorsese, Silence

Best Actor

Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Best Actress

Amy Adams, Arrival
Isabelle Huppert, Elle
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Best Supporting Actor

Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Kevin Costner, Hidden Figures
Hugh Grant, Florence Foster Jenkins
Dev Patel, Lion

Best Supporting Actress

Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Best Original Screenplay

Captain Fantastic
Hell or High Water
La La Land
Manchester by the Sea
Toni Erdmann

Best Adapted Screenplay

Arrival
Fences
Hidden Figures
Lion
Moonlight

Best Film Editing

Arrival
Hell or High Water
La La Land
Moonlight
Silence

Best Cinematography

Arrival
La La Land
Lion
Moonlight
Silence

Best Costume Design

Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Hidden Figures
Jackie
La La Land

Best Production Design

Arrival
Fantastic Beasts and Where to Find Them
Hail, Caesar
The Handmaiden
La La Land

Best Makeup and Hairstyling

Deadpool
Florence Foster Jenkins
A Man Called Ove

Best Visual Effects

Arrival
Deepwater Horizon
The Jungle Book
Kubo and the Two Strings
Rogue One:  A Star Wars Story

Best Original Song

“Audition (The Fools Who Dream),” La La Land
“City of Stars,” La La Land
“Running’,” Hidden Figures
“How Far I’ll Go,” Moana
“Drive It Like You Stole It,” Sing Street

Best Original Score

The BFG
La La Land
Lion
Moonlight
Nocturnal Animals

Best Sound Mixing

Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Rogue One:  A Star Wars Story

Best Sound Editing

Arrival
Deadpool
Deepwater Horizon
Hacksaw Ridge
Rogue One:  A Star Wars Story

Best Animated Feature

Kubo and the Two Strings
Moana
The Red Turtle
Your Name
Zootopia

Best Documentary Feature

I Am Not Your Negro
Life, Animated
O.J.:  Made in America
13th
Weiner

Best Foreign Language Film

Land of Mine
A Man Called Ove
My Life as a Zucchini
The Salesman
Toni Erdmann

Best Animated Short

Borrowed Time
Happy End
The Head Vanishes
Pearl
Piper

Best Documentary Short

Extremis
4.1 Miles
Frame 394
The Other Side of Home
The White Helmets

Best Live Action Short

Bon Voyage
Graffiti
Nocturne in Black
Sing (Mindenki)
Timecode